The moment is the smallest amount of time.
Observing the (in)activities of painting, I collect those passing events and gestures in my archive, store in painting, reorganise them into presence. The studio is a position in which the praxis of notetaking continues as arranging and classifying, piling up and sticking information next to each other as well as translating thoughts of words into actual worlds. The structure of the on/off – parallel to my practice lies an idea of a garden as a place of seasonal emergence, care and study.
Currently, the category of orientation, the verb mapping. Hypothesis – telekinesis.
The ontology of wet painting explores the material, natural and conceptual fluidities.
A wet painting is energy as much as a method.